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as pictorial communication. Image-based research: A sourcebook
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anthropology: Photography as a research method. Albuquerque:
University of New Mexico Press.
Cooney, J. & Burton, K. (1986). Photolanguage
Australia: Human values. Sydney, N.S.W.: Catholic
Education Office. [For an example
of use (in "Developing Positive Visual Metaphors"),
click here].
Cronin,
Ó. & Gale, A. (year unknown).
A taxonomic analysis of family photographic collections.
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as a tool for research and evaluation. Educational
Technology. 34(4), 55-62.
Dewdney,
A., Grey, C., & Minnion, C. (1994). Down but not
out: Young people, photography, and the images of homelessness.
London, UK: Trentham Books.
Elias,
M. (1982). Photo albums hide secrets. U.S.A. Today,
December 22, D-1; 2.
Emme,
M.J. (2003). Critical self-portraits. Photo-Ed: The
Portrait Issue, Fall, 32-34.
Ferrara,
N. (1998). Emotional expression among the Cree Indians:
The role of pictorial representation in the assessment
of psychological mindedness. New York: Barnes &
Noble.
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A. & Barker, M. (1987). Repertory grid approach to
analysing family members' perception of self and others:
a pilot study. Journal of Family Therapy, 9,
355-366.
Gardner,
S.L. (1991). Exploring the family album: Social class
differences in images of family life. Sociological
Inquiry, 61, 242-251.
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lifecycle. Sociological Quarterly, 13:1, 77-92.
Gooderham, K. (1972). Notice: This is an Indian Reserve.
Toronto: Griffin House.
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of memory. Afterimage: The Journal of Media Arts and
Cultural Criticism, 18:1, 14-18.
Guimond, J. (1994). Auteurs as autobiographers: Jo Spence
and Cindy Sherman. Modern Fiction Studies, 40:3,
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Gutman,
J.M. (1982). Through Indian eyes: 19th and early 20th
century photography from India. New York: Oxford
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Hall, E.T. (1977). Beyond culture. Garden City,
NY: Doubleday Anchor. [Note: although
this is not about photography, it is a classic about the
way that visual meaning is created & thus is directly
related to this topic!]
Hall, E.T. (1973). The silent language. Garden City, NY:
Doubleday Anchor. [Note: although
this is not about photography, it is a classic about the
way that visual meaning is created & thus is directly
related to this topic!]
Hall, E.T. (1969). The hidden dimension. Garden City,
NY: Doubleday Anchor. [Note: although
this is not about photography, it is a classic about the
way that visual meaning is created & thus is directly
related to this topic!]
Hattersley, R. (1971). Discover yourself through photography.
New York, NY: Association Press [reissue:
Morgan and Morgan (1976)].
Hevey, D. (1992). The creatures time forgot: Photography
and disability imagery. London: Routledge Publishers.
Hevey, D. (1989). Liberty, equality, disability. Ten:8,
35, 2-15
Hiley, M. (1983). Seeing through photographs.
London: Gordon Fraser.
Hirsch, J. (1981). Family photographs: Content, meaning
and effect. New York/Oxford: Oxford University Press.
Hirsch, M. (1997). Family frames: Photography, narrative,
and postmemory. Cambridge: Harvard University Press.
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R., & Kress, G. (1988). Family photographs and familial
texts. In: R. Hodge & G. Kress, Social semiotics
(pp. 221-229). Cambridge: Polity Press.
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in psychotherapy. Professional Psychology: Research
and Practice, 15, 884-890.
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reservation: A photographic view of life by Native American
youth [Foreword by D. Banks]. New York: The New Press
(Norton).
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M. & Jury, D. (1976). Gramp: The extraordinary
record of one family's encounter with the reality of dying.
New York: Penguin.
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Rachelle Lee Smith gives Lesbian and Gay youth an outlet
to speak for themselves. The Advocate, June,
86.
King,
G. (1984). Say "Cheese": Looking at snapshots
in a new way. New York: Dodd, Mead, & Co.
Kose, G. (1985). Children's knowledge of photography:
A study of the developing awareness of a representational
medium. British Journal of Developmental Psychology,
3, 373-384.
Kotkin, A. (1978). The family photo album as a form of
folklore. Exposure, 16:1, 4-8.
Kulich, R.J. & Goldberg, R.W. (1978). Differences
in the production of photographs: a potential assessment
technique. Perceptual and Motor Skills, 47, 223-229.
Lesy, M. (1980). Time frames: The meaning of family
pictures. New York: Pantheon. [Note:
this book is included here because it is part of the historical
record, but it is Weiser's opinion that Lesy's claim about
the ability to know what is happening in the photo, from
the position of outside observer, is not possible...]
Lesy, M. (1976). Snapshots: Psychological documents, frozen
dreams. Afterimage: The Journal of Media Arts and
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in a shoebox: The popular experience of photography.
Bradford: Yorkshire Art Circus & National Museum of
Photography, Film, & Television (jointly).
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and Mail (Canada), September 4, 16.
Liss, A. (1991). Trespassing through shadows: History,
mourning, and photography in representations of Holocaust
memory. London: Routledge Publishers.
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C. (1998). Prosthetic culture: Photography, memory,
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C. (1995). Pleasures taken: Performances of sexuality
and loss in Victorian photographs. Durham, NC: Duke
University Press.
Masayesva,
V., Jr., & Younger, E. (1983). Hopi Photographers;
Hopi Images. Tucson: Sun Tracks and University of
Arizona Press.
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Lucida, 1:3, 5-19.
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in Visual Communication, 6:3, 56-68.
Milgram, S. (1977). The image-freezing machine. Psychology
Today, January, 50-54; 108.
Milgram, S., & Banish, R. (1977). City families (Frozen
on film). Psychology Today, January, 59-65.
Milton, S. (1984). The camera as weapon: Documentary photography
and the Holocaust. Simon Wiesenthal Centre Annual,
1, 45-63.
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W.J.T. (1994). Picture theory. Chicago, IL: University
of Chicago.
Mitchell,
W.J. (1992). The reconfigured eye: Visual truth in
the post-photographic era. Boston: MIT Press.
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secrets of snapshots. Elle Magazine (U.K.), December,
57-59.
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& memory. New York: Aperture.
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C. (1980). Studying the home mode: An exploration of family
photography and visual communication. Studies in Visual
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Visual Anthropology, 4, 193-216.
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M. (1986). Drawing with light: The effects of photographic
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Parker, A., & Neal, A. (1982). Los Ambulantes:
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MIT Press.
Patterson, F. (1979). Photography and the art of seeing.
Toronto: Van Nostrand Reinhold.
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space. San Francisco: Stanford University Press.
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F. (1990). In our own image: The coming revolution
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photography, and the everyday. Manchester: Manchester
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R. (1982). Camera at work: Pictures that unlock the psyche.
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J. (1981). Seeing through pictures: The anthropology of
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of this article, click here)
Weiser, J. (1999, 2nd Edition).
PhotoTherapy Techniques: Exploring
the Secrets of Personal Snapshots and Family Albums
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download a 777KB pdf copy of the First Chapter of this
book (pp. 1-12), click here)
•
NOTE: This book has been plagiarized!
(click here
for details)
Weiser, J. (1988). "See what I mean?" Photography
as nonverbal communication in cross-cultural Psychology.
In: F. Poyatos (Ed.), Cross-cultural perspectives
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Hogrefe. (To download a 2.66MB pdf
copy of this chapter, click here)
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about oneself. In: A.D. Walker, R.A. Braden, & L.H.
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(To download a 782KB pdf copy of the
original that this article was reprinted from, click here)
Weiser, J. (1983a). Using photographs in therapy with
people who are 'different'. In: D.A. Krauss & J.L.
Fryrear (Eds.), Phototherapy in mental health
(pp. 174-199). Springfield, IL: Charles C. Thomas. (To
download a 1.41MB pdf copy of this chapter, click here).
Weiser, J. (1983b). Using PhotoTherapy to help: A study
of Debbie. "Montage": Kodak's Educator's
Newsletter, 83:1, 4-5. (To download
a 216K pdf copy of this article, click here)
Weiser, J. (1975). PhotoTherapy: Photography as a verb.
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Zaltman, G. (2003). How customers think: Essential
insights into the mind of the market (What consumers
can't tell you and competitors don't know). Harvard
Business School Press [involves some
of Weiser's Photo-Projective questioning techniques].
Zaltman, G. (1997). Rethinking market research:
Putting people back in. Journal of Marketing
Research, 34(4),
424-437 [involves some of Weiser's
Photo-Projective questioning techniques].
Zaltman, G, & Coulter, R. (1995). Seeing the
voice of the customer: Metaphor-based advertising research.
Journal of Advertising Research 35(4), 35-51
[involves
some of Weiser's Photo-Projective questioning techniques].
Zakia,
R. (1975). Perception and photography.
Englewood Cliffs, NJ: Prentice-Hall.
Ziller, R.C. (1990). Photographing the self: Methods
for observing personal orientations. Newbury Park,
CA: Sage.
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R.C., Cowart, J., & Smith, D. (1975). The photograph:
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(pp. 95-115). Springfield, IL: Charles C. Thomas.
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