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Please
notify me whenever this page is updated.
This
page is the continuation (second half) of the "Recommended
Readings" Page -- to return to
the first half of the Recommended Readings page,
please click here.
On that previous page, you will find the lists
for:
1)
"PhotoTherapy"
(Photography DURING therapy) -- along
with a more comprehensive
list, with dozens more suggested readings, that can
be downloaded directly there, and
2) "Therapeutic
Photography" (Photography
AS therapy) -- For more information
about the differences between "Therapeutic Photography"
and "PhotoTherapy", please click here,
*BELOW
ARE THE LISTS FOR:
3)
"VideoTherapy"
(Includes both "Video-IN-therapy"
and also "Video-AS-therapy" -- as well as
"Using Film or Cinema in [or as] Therapy"),
and
4) "Photographic
Cultural Studies/Education & Visual Anthropologyy
or Sociology -- and even Business applications related
to all above (INCLUDING research Aspects/Applications in ALL FOUR FIELDS)" .
For
additional recommendations more specific to a particular
topic (such as lists pertinent to Special Education,
Research, Cross-Cultural, Gender, HIV/AIDS, and so forth),
please contact the PhotoTherapy
Centre. (The Centre has most of these publications
in its Library and also has contact information for many
of the authors below).
Additionally,
it is highly recommended that you also check
this website's always-growing list of "Student
Theses and Dissertations" -- because many of these
have very relevant content and implications for the literature
base of all four fields below, even if not yet published..
NOTE:
This page will be continually updated, so please
send the PhotoTherapy Centre
your suggestions for additions (and any corrections!).
Back
to Top
•
VideoTherapy (List below includes both "Video-IN-therapy"
and also "Video-AS-therapy" -- as
well as "Using Film or Cinema in [or as] Therapy"):
• Note:
Listings below which begin with an asterisk (*),
indicate the early "classics" that provided
the foundation for the field of VideoTherapy --
beginning back in the early 1970's!
*Reminder: All
publications showing download links below, have already
been published and are therefore copyright-protected.
This means that you may download and print them out
for personal reading only and/or use small quotations
excerpted from them (*only* if accompanied
by the proper reference citation) -- but any
other reproduction of contents, or use of more than
250 words, REQUIRES that you first get written permission
from its author (Note: Adobe
Acrobat is needed to view pdf's below)
*Alger,
I. (1973). Audio-visual techniques in family therapy.
In: D. Bloch (Ed.), Techniques of family therapy:
A primer. (pp. 65-73). New York: Grune & Stratton.
*Alger, I. (1971). Insight and involvement
in individual therapy through videotape confrontation. Science and Psychoanalysis, 18, 20-25.
*Alger, I. (1969). Therapeutic use of videotape playback. Journal of Nervous and Mental Disorders, 148, 430-436.
Arbus, J. (1984). Videotape feedback: A tool in counselor
education. Phototherapy, 4:1, 2-6.
Arauzo, A.C., Watson, M., & Hulgus, J. (1995). The clinical uses of video therapy in the treatment of childhood sexual trauma survivors. Journal of Child Sexual Abuse, 1547-0679, 3:4, 37-58.
Bahnson, C.B. (1969). Body and self-images associated
with audio visual self-confrontation. Journal of Nervous
and Mental Disorders, 148, 262-280.
Bailey,
K.G., & Sowder, W.T. (1970). Audiotape and videotape
self-confrontation in psychotherapy. Psychological
Bulletin, 74, 127-137.
*Berger,
M.M. (Ed.). (1978, first edition 1971).
Videotape techniques in psychiatric training and treatment.
New York: Brunner/Mazel.
Biggs, S.J., Rosen, B., & Summerfield, A.B. (1980).
Videofeedback and personal attribution in anorexic, depressed
and normal viewers. British Journal of Medical Psychology,
53, 249-254.
Calisch, A. (2001). From reel to reel: Use of video as
a therapeutic tool. Afterimage: The Journal of Media
Arts and Cultural Criticism, 29:3 (Nov/Dec), 22-24.
Campbell, S. & Linn, N. (2001). The "Video Movie"
project. Afterimage: The Journal of Media Arts and
Cultural Criticism, 29:3 (Nov/Dec), 8.
Chalfen, R. (1975). Cinema naivete: A study of home moviemaking
as visual communication. Studies in the Anthropology
of Visual Communication 2:2, 87-103.
Corbit, I.E., & Fryrear, J.L. (1985). Visual transitions:
Metaphor for change. Phototherapy, 4:3, 5-9.
*Dowrick, P.W., & Biggs, S.J., (Eds.).
(1983). Using video: Psychological and social applications.
New York: John Wiley.
Evans, G.S., Fryrear, J.L., & Corbit, I.E. (1989).
Visual transitions as therapy. Art Therapy, 6:2,
57-66.
Fryrear, J.L. (1983). Photographic self-confrontation
as therapy. In: D.A. Krauss & J.L. Fryrear (Eds.),
Phototherapy in mental health (pp. 71-94). Springfield,
IL: Charles C. Thomas.
Fryrear, J.L. (1982). Visual self-confrontation as therapy.
Phototherapy, 3:1, 11-12.
* Fryrear, J.L., & Fleshman, B. (Eds.).
(1981). Videotherapy in mental health. Springfield,
Illinois: Charles C. Thomas.
Fryrear, J.L. & Stephens, B.C. (1988). Group psychotherapy
using masks and video to facilitate intrapersonal communication.The
Arts in Psychotherapy. 15:3, 227-234.
* Furman, L. (1990). Video therapy: An
alternative for the treatment of adolescents. The
Arts in Psychotherapy, 17:2, 165-170.
Gardano, A.C. (1994). Creative videotherapy with early adolescent girls in short-term treatment. Journal of Child and Adolescent Group Therapy, 4:2, 99-116.
Giordano, G. (1996). Video movie therapy: An overview
on a new art therapy. Perspectives, 1:3, (Online).
*Harding, C., & Lewis, B. (Eds.). (1993). Talking pictures: The popular experience of the cinema. Bradford: Yorkshire Art Circus & National Museum of Photography, Film, & Television (jointly)
*Heilveil, I. (1983). Video in mental
health practice: An activities handbook. New York:
Springer.
Hinz, L.D., & Ragsdell, V. (1990). Brief report: Using
masks and video in group psychotherapy with bulimics.
The Arts in Psychotherapy, 17:3, 259-263.
Holzman, P.S. (1969). On hearing and seeing oneself. Journal
of Nervous and Mental Disease, 148:3, 198-209.
Johnson, J.L., & Alderson, K.G. (2008). Therapeutic Filmmaking: An exploratory pilot study. The Arts in Psychotherapy, 35, 11-19.
Korth, S. (2010). Free Transform: Le potenzialità del collage digitale nella foto-terapia ("Free Transform: The potential of digital collage for phototherapy"). In: Ferrari, S.& Tartarini, C. (Eds.): Autofocus-L'autoritratto Fotografico tra Arte e Psicologia, Clueb [pages not known].
Kuppers, P. (2001). New landscapes: Community art, video
process, and fantasies of disability. Afterimage:
The Journal of Media Arts and Cultural Criticism, 29:3
(Nov/Dec), 24-25.
Lambert, M. (1988). Improving self esteem through Photo/Videotherapy:
A graduate project. Unpublished Paper, University
of Houston, Clear Lake City, TX.
McRea, C. (1983). Impact on body image. In: P. Dowrick
& S.J. Biggs (Eds.), Using video: Psychological
and social applications. New York: John Wiley.
Mosinski, B. (2009). Video art and activism: Applications in Art Therapy. In: Moon, C., Ed.): Materials and media in art therapy: Critical understandings of diverse artistic vocabularies (pp. 256-270). Springfield, IL: Charles C. Thomas.
Nathan,
D.J. (1978). The use of self-confrontation through photography
or videotape as a therapeutic method for changing self
image and aiding weight maintenance in formerly obese
adults. Doctoral Dissertation, University of
Miami, FL.
Napierski, D., Meermann, R., & Vandereycken, W. (1987).
The influence of Video-Feedback in the therapy of obesity.
Phototherapy, 6:1, 7-16.
O'Rourke,
R. (2001). Anya's movies. Afterimage: The Journal
of Media Arts and Cultural Criticism, 29:3 (Nov/Dec),
5.
Parrella, C. (2006). Il “VideoDilemma”, una metodologia di intervento nell’ambito di progetti preventivi e di educazione socio-affettiva rivolti ad adolescenti nei contesti scolastici ("The "VideoDilemma", a methodology of intervention projects in preventive and social-emotional education with adolescents in school settings"). INformazione Psicoterapia Counselling Fenomenologia, 7:Settembre-Ottobre, 52-67.
Richards, D. (1979). The use of vdeotape in the individual psychotherapy of a six-year-old girl. PhotoTherapy Quarterly, 2:2, September, 18-9.
Ramella, M. and Olmos, G. (2005). Participant Authored Audiovisual Atories (PASS): Giving the camera away or giving the camera a way?. London School of Economics and Political Science Methodology Institute Papers in Social Research Methods (Qualitative Series no 9), 1-22.
Rossi, O. NOTE: Dr. Rossi combines PhotoTherapy, Art Therapy, and VideoTherapy together; therefore his publications are listed in both the Reading List for PhotoTherapy and the one for VideoTherapy below:
Rossi O. (2009a). Lo sguardo e l’azione: Il video e la fotografia in Psicoterapia e nel Counseling ("The look and the action: Video and photography in psychotherapy and counseling"). Rome: Edizioni Universitarie Romana.
Rossi, O. (2009b). [English translation] A meeting with oneself: Videotherapy in counselling. Nuove Arti Terapei, June, online. (To download a 300K pdf copy of this article, click here)
Rossi O. (2008). Di luci e di ombre: Un’applicazione di foto videoterapia ("Light and shadow: An application of photo videotherapy"). Nuove Arti Terapie, 2,12-16.
Rossi O. (2007). Immagini in scena ("Images on stage"). Formazione in Psicoterpia Counselling Fenomenologia, 9-10: gennaio – dicembre, 16-23.
Rossi O. (2006). Sguardi e immagini: Video e fototerapia ("Looks and images: Video and phototherapy"). Formazione in Psicoterpia Counselling Fenomenologia, 7:settembre – ottobre, 28-37.
Rossi O. (2005a). Incontrare se stessi: la videoterapia nella relazione d’aiuto ("Meet yourself: Videotherapy in the helping relationship"). Attualità in Psicologia, 20:3-4, Luglio\Dicembre, [pages?].
Rossi O., Rubechini S. (2005b). Le immagini: Una nuova via narrativa alla percezione di sé ("Images: A new narrative on the self-perception"). Artiterapie, 3/4: marzo - aprile, 14-18.
Rossi O., Botticelli K., Cardamomi D., & Rubechini S. (2004a). Counselling a mediazione artistica e videoterapia a scuola ("Counseling and artistic mediation with videotherapy to school"). Artiterapie, 9/10: settembre - ottobre, 14-18.
Rossi O. (2004b). Le visioni della memoria. Un intervento di Gestalt a mediazione Arte Video terapeutica ("The visions of memory: An intervention of Gestalt therapy-mediated video therapy art"). Formazione in Psicoterapia Counselling Fenomenologia, 3: gennaio – febbraio, 12-23.
Rossi O. & Rubechini S., (2004c). "Le immagini autobiografiche: Una via narrativa alla percezione di sé ("Autobiographical images: A narrative way to self-perception"). INformazione Psicoterapia Counselling Fenomenologia 4:novembre-dicembre, 14-23.
Rossi O. (2003a). Video terapia nella relazione d’aiuto ("Video therapy in the helping relationship"). Formazione in Psicoterapia Counselling Fenomenologia, 2: settembre - ottobre, 45-51.
Rossi O., Botticelli, K., Cardamomi, D., & Rubechini, S. (2003b). Narrazione creativa e disagio scolastico ("Crearive storytelling and scholastic discomfort"). Formazione IN Psicoterapia Counselling Fenomenologia, 2, 72-79.
Rossi O. (1997). Il teatro del sogno come flusso della condotta ("The theater of dreams as a flow of conduct"), Formazione in Psicologia, Psichiatria, Psicoterapia, 31: maggio – agosto, 6-13.
Ryan, B. (2007). Women with cameras: A special approach to therapy aims to help a group of women overcome tortured memories of the past. HIV-PLUS Mag.com, Mar/Apr (onine) [about B. Mosinski's video-therapy groups].
Shotter, J. (1983). On viewing videotape records of oneself and others. In P.W., Dowrick, S.J., Biggs & J. Simon (Eds.): Using video: Psychological and social applications. New York: John Wiley.
Solomon, G. (1995). The motion picture prescription:
Watch this movie and call me in the morning. Santa
Rosa, CA: Aslan Publishing.
Sussman, G. (1987). Two classroom projects: Self-concept
enhancement and video-poetry project. Phototherapy,
6:2, 23-24.
Vinsky, J. (2006). Transformative Video Therapy (TVT): Using technology to create pathways to a "witness consciousness". Project Paper for the Hincks-Dellcrest "Brief and Narrative Therapy Year-Long Training Programme, Toronto, Canada.
Vitiello, M. (2001). Echoing voices: Crossing boundaries
through personal videos. Afterimage: The Journal of
Media Arts and Cultural Criticism, 29:3 (Nov/Dec),
20-21.
*Weiser, J. (1988a). "See what I
mean?" Photography as nonverbal communication in
cross-cultural psychology. In: F. Poyatos (Ed.), Cross-Cultural
Perspectives in Nonverbal Communication (pp. 245-290).
Toronto: Hogrefe. (To download a 2.66MB
pdf copy of this chapter, click here)
*Weiser,
J. (1988b). PhotoTherapy: Using snapshots and photo-interactions
in therapy with youth. In: C.E. Schaefer (Ed.), Innovative
Interventions in Child and Adolescent Therapy (pp.
339-376). New York: Wiley. (To download
a 2.41MB pdf copy of this chapter, click here)
*Weiser,
J. (1986a). Ethical considerations in PhotoTherapy training
and practice. Phototherapy, 5:1, 12-17. (To
download a 756KB pdf copy of this article, click here).
*Weiser, J. (1986b). Ethical considerations
in PhotoTherapy training and practice. Video-Informationen,
9:2, 5-10.
*Weiser, J. (1985). Training and teaching
photo and video therapy: Central themes, core knowledge,
and important considerations. Phototherapy, 4:4,
9-16. (To download a 1009KB pdf copy
of this article, click here).
For more articles by Weiser (in addition to the above ones about VideoTherapy, click here
• Photographic
Cultural Studies/Education &
Visual Anthropology or Sociology -- and even Business applications
related to all above (INCLUDING research Aspects/Applications in ALL FOUR FIELDS):
*Reminder: All
publications showing download links below, have already
been published and are therefore copyright-protected.
This means that you may download and print them out for
personal reading only and/or use small quotations excerpted
from them (*only* if accompanied by
the proper reference citation) -- but any other
reproduction of contents, or use of more than 250 words,
REQUIRES that you first get written permission from its
author (Note: Adobe
Acrobat is needed to view pdf's below)
Adams,
T.D. (1994). Life writing and light writing: Autobiography
and photography. Modern Fiction Studies, 40:3,
459–92.
Anor,
B., & Poskanzer, D. (2002). The dark shadow: Contemplating
negative space and time. Poiesis: A Journal of the
Arts and Communication, 4, 96-98.
Bach,
H. (2001). The place of the photograph in visual narrative
research. Afterimage: The Journal of Media Arts and
Cultural Criticism, 29:3 (Nov/Dec), 7.
Baetens, J., & Ribiere, M. (1995). The Calaceite conference
on photo narrative. History of Photography, 19:4,
314–15.
Barbee,
M. (2002). A visual-narrative approach to understanding
Transsexual identity. Journal of the American Art
Therapy Association, 19:2, 53-62.
Barthes, R. (1981). Camera lucida; Reflections on
photography. (Translated by R. Howard).
New York: Hill and Wang.
Bayer, J. (1977). Reading photographs: Understanding
the aesthetics of photography. New York: Pantheon.
Becker, H.S. (1974). Photography and sociology. Studies
in the anthropology of visual communication, 1:1,
3-26.
Becker, H.S. (1981). Exploring society photographically.
Chicago: University of Chicago Press.
Beilin, H. (1980). Children's comprehension of photographic
representation. Review of Research in Visual Arts
Education, 15, 55-60.
Belloff, H. (1985). Camera culture. Oxford: Basil
Blackwell.
Berger,
J. (1991). And our faces, my heart, brief as photos.
New York, NY: Vintage International.
Berger,
J. (1980a), Understanding a photograph. In: A. Trachtenberg
(Ed.), Classic essays on photography. New Haven:
Leete's Island Books.
Berger,
J. (1980b). About looking. New York: Pantheon.
Berger, J. (1972). Ways of seeing. New York:
Penguin.
Berger, J., & Mohr, Jean. (1982). Another way
of telling. New York: Pantheon.
Berner, J. (1975). The photographic experience: Awakening
vision through conscious camerawork. New York: Anchor
Press.
Blinn(-Pike), L., & Eyring, M. (1993). A model for
teaching about photographic research methods. In: R.M.
Boonzajer Flaes & D. Harper (Eds.), Eyes across
the water II: Essays on visual anthropology and sociology
(pp. 105-119). Amsterdam: Het Spinhuis.
Blinn, L. (1988). The family photo assessment process
(FPAP): A method for validating cross-cultural comparisons
of family social identities. Journal of Comparative
Family Studies, 19:1, 117-135.
Blinn,
L., & Harriet, A. (1991). Combining Native Polaroid
photography and photo-elicitation. Visual Anthropology,
4, 175-192.
Boerdam, J., & Martinius, W.D. (1980). Family photographs:
A sociological approach. Netherlands Journal of Sociology,
16:2, 95-119.
Bourdieu, P. (1999). The social definition of photography.
In: J. Evans & S. Hall (Eds.), Visual culture:
The reader. London: Sage Publications.
Braden,
S. (1983). Committing photography. London: Pluto
Press.
Brake, J., & Newbury, D. (1996). Changing images:
photography, education and young people. Salford:
Viewpoint Photography Gallery.
Brody, J.E. (1984). Photos speak volumes about relationships.
New York Times: Science Times, July 17, 1.
Brookman, P. (Ed.). (1990). Shooting back: Photographs
by and about the homeless. Curatorial Booklet, Washington
(D.C.) Project for the Arts Exhibition.
Brown, B.W. (1981). Images of family life in magazine
advertising 1920-1978. New York: Praeger.
Brugioni, D.A (1999). Photo fakery: The history and
techniques of photographic deception and manipulation.
London: Brasseys.
Burgin, V. (1999). Art, common sense and photography.
In J. Evans & S. Hall (Eds). Visual culture: The
reader (pp. 41-50). London: Sage (Rivers Oram).
Burgin,
V. (1996a). In/Different spaces: Place and memory
in visual culture. Berkeley & Los Angeles: University
of California Press.
Burgin,
V. (1996b). The image in pieces: Digital photography and
the location of cultural experience. In: H. von Amelunxen,
et. al. (Eds), Photography after photography: Memory
and representation in the digital age (pp. 26-35).
Amsterdam: G+B Arts.
Burgin,
V. (1982a). Looking at photographs. In: V. Burgin (Ed.),
Thinking photography. London: Macmillan.
Burgin,
V. (Ed.). (1982b). Thinking Photography. London:
Macmillan Education, Ltd.
Burne,
J. (1993). Medical: Mind games. The British Journal
of Photography, October 28, 10-11.
Carpenter, E. (1970). They became what they beheld.
New York: Ballantine Books.
Chalfen, R. (1997a). Family photography: One album is
worth a 1000 lies. In: D.M. Neuwman, Sociology: Exploring
the architecture of everyday life (2nd
Ed.) (pp. pp. 269-78). Thousand Oaks, CA.:
Pine Forge Press.
Chalfen, R. (1997b). Interpreting family photography
as pictorial communication. Image-based research: A sourcebook
for qualitative researchers. London: Farmer Press
Ltd.
Chalfen, R. (1995). Japanese American family photography.
Sensei 1:2, 25-29.
Chalfen, R. (1987). Snapshot versions of life.
Bowling Green: Bowling Green State University Press.
Chalfen, R. (1983). Exploiting the vernacular: Studies
in snapshot photography. Studies in Visual Communication
9:3), 70-84.
Chalfen, R. (1981). Redundant imagery: Some observations
on the use of snapshots in American culture. Journal
of American Culture 4:1, 106-113.
Chalfen, R. (1975a). Introduction to the study of non-professional
photography as visual communication, Folklore Forum
1:3, 19-25.
Chalfen, R. (1975b). Cinema naivete: A study of home
moviemaking as visual communication. Studies in
the Anthropology of Visual Communication 2:2, 87-103.
Collier, J., Jr., & Collier, M. (1986). Visual
anthropology: Photography as a research method. Albuquerque:
University of New Mexico Press.
Cooney, J. & Burton, K. (1986). Photolanguage
Australia: Human values. Sydney, N.S.W.: Catholic
Education Office. [For an example
of use (in "Developing Positive Visual Metaphors"),
click here].
Cronin,
Ó. & Gale, A. (year unknown).
A taxonomic analysis of family photographic collections.
Private publication, Department of Psychology,
University of Southampton, England.
Dempsey, J.V., & Tucker, S.A. (1994). Using photo-interviewing
as a tool for research and evaluation. Educational
Technology. 34(4), 55-62.
Dewdney,
A., Grey, C., & Minnion, C. (1994). Down but not
out: Young people, photography, and the images of homelessness.
London, UK: Trentham Books.
Elias,
M. (1982). Photo albums hide secrets. U.S.A. Today,
December 22, D-1; 2.
Emme,
M.J. (2003). Critical self-portraits. Photo-Ed: The
Portrait Issue, Fall, 32-34.
Ferrara,
N. (1998). Emotional expression among the Cree Indians:
The role of pictorial representation in the assessment
of psychological mindedness. New York: Barnes &
Noble.
Gale,
A. & Barker, M. (1987). Repertory grid approach to
analysing family members' perception of self and others:
a pilot study. Journal of Family Therapy, 9,
355-366.
Gardner,
S.L. (1991). Exploring the family album: Social class
differences in images of family life. Sociological
Inquiry, 61, 242-251.
Gardner, S.L. (1990). Images of family life over the family
lifecycle. Sociological Quarterly, 13:1, 77-92.
Gooderham, K. (1972). Notice: This is an Indian Reserve.
Toronto: Griffin House.
Grover, J.Z. (1990). Photo therapy: Shame and the minefields
of memory. Afterimage: The Journal of Media Arts and
Cultural Criticism, 18:1, 14-18.
Guimond, J. (1994). Auteurs as autobiographers: Jo Spence
and Cindy Sherman. Modern Fiction Studies, 40:3,
573–91.
Gutman,
J.M. (1982). Through Indian eyes: 19th and early 20th
century photography from India. New York: Oxford
University Press and International Center for Photography.
Hall, E.T. (1977). Beyond culture. Garden City,
NY: Doubleday Anchor. [Note: although
this is not about photography, it is a classic about the
way that visual meaning is created & thus is directly
related to this topic!]
Hall, E.T. (1973). The silent language. Garden City, NY:
Doubleday Anchor. [Note: although
this is not about photography, it is a classic about the
way that visual meaning is created & thus is directly
related to this topic!]
Hall, E.T. (1969). The hidden dimension. Garden City,
NY: Doubleday Anchor. [Note: although
this is not about photography, it is a classic about the
way that visual meaning is created & thus is directly
related to this topic!]
Hattersley, R. (1971). Discover yourself through photography.
New York, NY: Association Press [reissue:
Morgan and Morgan (1976)].
Hevey, D. (1992). The creatures time forgot: Photography
and disability imagery. London: Routledge Publishers.
Hevey, D. (1989). Liberty, equality, disability. Ten:8,
35, 2-15
Hiley, M. (1983). Seeing through photographs.
London: Gordon Fraser.
Hirsch, J. (1981). Family photographs: Content, meaning
and effect. New York/Oxford: Oxford University Press.
Hirsch, M. (1997). Family frames: Photography, narrative,
and postmemory. Cambridge: Harvard University Press.
Hodge,
R., & Kress, G. (1988). Family photographs and familial
texts. In: R. Hodge & G. Kress, Social semiotics
(pp. 221-229). Cambridge: Polity Press.
Hunsberger, P. (1984). Uses of instant print photography
in psychotherapy. Professional Psychology: Research
and Practice, 15, 884-890.
Hubbard, J. (Ed.). (1994). Shooting back from the
reservation: A photographic view of life by Native American
youth [Foreword by D. Banks]. New York: The New Press
(Norton).
Jury,
M. & Jury, D. (1976). Gramp: The extraordinary
record of one family's encounter with the reality of dying.
New York: Penguin.
Kaye, L. (2002). Portraits of a revolution: Photographer
Rachelle Lee Smith gives Lesbian and Gay youth an outlet
to speak for themselves. The Advocate, June,
86.
King,
G. (1984). Say "Cheese": Looking at snapshots
in a new way. New York: Dodd, Mead, & Co.
Kose, G. (1985). Children's knowledge of photography:
A study of the developing awareness of a representational
medium. British Journal of Developmental Psychology,
3, 373-384.
Kotkin, A. (1978). The family photo album as a form of
folklore. Exposure, 16:1, 4-8.
Kulich, R.J. & Goldberg, R.W. (1978). Differences
in the production of photographs: a potential assessment
technique. Perceptual and Motor Skills, 47, 223-229.
Lesy, M. (1980). Time frames: The meaning of family
pictures. New York: Pantheon. [Note:
this book is included here because it is part of the historical
record, but it is Weiser's opinion that Lesy's claim about
the ability to know what is happening in the photo, from
the position of outside observer, is not possible...]
Lesy, M. (1976). Snapshots: Psychological documents, frozen
dreams. Afterimage: The Journal of Media Arts and
Cultural Criticism, 4:4, 12-13. [See
note on listing immediately above]
Lewis, B., & Harding, C. (Eds.). (1992). Kept
in a shoebox: The popular experience of photography.
Bradford: Yorkshire Art Circus & National Museum of
Photography, Film, & Television (jointly).
Lipovenko, D. (1984). Photos shed light on emotions. Globe
and Mail (Canada), September 4, 16.
Liss, A. (1991). Trespassing through shadows: History,
mourning, and photography in representations of Holocaust
memory. London: Routledge Publishers.
Lury,
C. (1998). Prosthetic culture: Photography, memory,
and identity. London: Routledge Publishers.
Mavor,
C. (1995). Pleasures taken: Performances of sexuality
and loss in Victorian photographs. Durham, NC: Duke
University Press.
Masayesva,
V., Jr., & Younger, E. (1983). Hopi Photographers;
Hopi Images. Tucson: Sun Tracks and University of
Arizona Press.
Metz, G. (1981). Perception and photography. Camera
Lucida, 1:3, 5-19.
Metz, C. (1980). The perceived and the named. Studies
in Visual Communication, 6:3, 56-68.
Milgram, S. (1977). The image-freezing machine. Psychology
Today, January, 50-54; 108.
Milgram, S., & Banish, R. (1977). City families (Frozen
on film). Psychology Today, January, 59-65.
Milton, S. (1984). The camera as weapon: Documentary photography
and the Holocaust. Simon Wiesenthal Centre Annual,
1, 45-63.
Mitchell,
W.J.T. (1994). Picture theory. Chicago, IL: University
of Chicago.
Mitchell,
W.J. (1992). The reconfigured eye: Visual truth in
the post-photographic era. Boston: MIT Press.
Montrose, S. (1993). Photo therapy: Unlocking the emotional
secrets of snapshots. Elle Magazine (U.K.), December,
57-59.
Morgovsky, J. (1983). Noses on our faces: The non-use of photography in psychological research and practice. In J.E. Shorr, G. Sobel-Whittington, P. Robin, and J.A. Connella (Eds.), Imagery (pp. 229-234). New York, NY, Plenum Press.
Morgovsky, J., Tomasulo, D. (1981.) Noses on our faces: The non-use of photography in psychological research and practice. Imagery: Bulletin of the American Association for the Study of Mental Imagery. 4:2; p. unknown
Morris, W. (1999). Time pieces: Photographs, writing,
& memory. New York: Aperture.
Musello,
C. (1980). Studying the home mode: An exploration of family
photography and visual communication. Studies in Visual
Communication, 6:1, 24-41.
Musello, C. (1979). Family photography. In: J. Wagner
(Ed.), Images of information: Still photography in
the social sciences (pp.101-118). Beverley Hills,
CA: Sage.
Norfleet, B. (1988). Studio photographers and two generations
of baby raising. Photo Communique, 10:1, 14-23.
Norman, W.R., Jr. (1991). Photography as a research tool.
Visual Anthropology, 4, 193-216.
Oudejans,
M. (1986). Drawing with light: The effects of photographic
techniques on society. Journal of Visual Verbal Languaging,
Spring, 55-62.
Parker, A., & Neal, A. (1982). Los Ambulantes:
The itinerant photographers of Guatemala. Cambridge:
MIT Press.
Patterson, F. (1979). Photography and the art of seeing.
Toronto: Van Nostrand Reinhold.
Pitseolak, P., with Eber, D. (1975). People from our
side: An Inuit record of Seekooseelak: The land of the
people of Cape Dorset, Baffin Island. Toronto: The
Bryant Press.
Poole, C., Shaw, S., Taylor, G., & Walton, K. (1995).
Framing the child: photography in the classroom.
Stoke-on-Trent: Trentham Books.
Price, M. (1994). The photograph: A strange, confined
space. San Francisco: Stanford University Press.
Ritchin,
F. (1990). In our own image: The coming revolution
in photography: How computer technology is changing our
view of the world. New York: Aperture Foundation.
Roberts, J. (1998). The art of interruption: Realism,
photography, and the everyday. Manchester: Manchester
University Press
Robotham,
R. (1982). Camera at work: Pictures that unlock the psyche.
LIFE Magazine, October, 15-22.
Rosenblum, B. (1978). Photographers at work: A sociology
of photographic styles. New York/London: Holmes and
Meier Publishers.
Roskill, M. (1989). The interpretation of pictures.
Amherst, MA: University of Massachusetts Press.
Roskill, M., & Carrier, D. (1983). Truth and falsehood
in visual images. Amherst, MA: University of Massachusetts
Press.
Routh, R. (1977). Photography as therapy. Paper presented
to International Visual Literacy Association Annual Convention,
May.
Ruby, J. (1987). Photographs, memory, and grief. Unpublished
paper presented at the Foundation of Thanatology Conference,
Columbia-Presbyterian Medical Center, New York, June.
Ruby,
J. (1984). Post-mortem portraiture in America. History
of Photography, 8:3, 201-222.
Ruby,
J. (1981). Seeing through pictures: The anthropology of
photography. Camera Lucida, 1:3, 19-32.
Ruby,
J. (1976). In a pic's eye: Interpretive strategies for
deriving significance and meaning from photographs. Afterimage:
The Journal of Media Arts and Cultural Criticism, 3:9,
5-7.
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language. London: Reaction Books, Ltd.
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A. (1982). On the invention of photographic meaning.
In:
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A. (1975). On the invention of meaning in photographs.
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Sherkin, S. (1989). Photo Therapy: Ink blots of the '80's.
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impact. Transcript of Radio Program: Ideas (pp. 1-22),
May 8. Montréal: Canadian Broadcasting Corporation.
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S. (1977). On photography. New York: Farrar,
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through the camera. Art Education, 34:3,12-15.
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and the discursive field. Minneapolis, MN: University
of Minnesota Press.
Tagg,
J. (1982). The currency of the photograph. In: V. Burgin
(Ed.), Thinking photography. London: Macmillan.
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P. (1977). Photographs: Demands and expectations. In:
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Von
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age. Amsterdam: G+B Arts.
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J. (Ed.). (1979). Images of information: Still photography
in the social sciences. Beverley Hills, CA: Sage.
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The Arts Council of England.
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in visual communication. London: John Calder, Ltd.
Weiser, J. (2009). ("PhotoTherapy techniques: Using interactions with photographs to improve people's lives"). In: Iarskaia-Smirnova, E. & Romanov, P. (Eds.),  ("Visual Anthropology: Tuning the lens [Part one: Visual methodology: From research to action]"), Moscow: Variant, CSPGS, 64-108. (To download a 3MB pdf copy
of this article -- in Russian -- click here)
Weiser, J. (2001). PhotoTherapy techniques: Using clients'
personal snapshots and family photos as counseling and
therapy tools (Invited feature article in "Special
Double Issue: Media art as/in therapy"). Afterimage:
The Journal of Media Arts and Cultural Criticism, 29:3,
10-15. (To download a 1.44MB pdf copy
of this article, click here)
Weiser, J. (1999, 2nd Edition).
PhotoTherapy Techniques: Exploring
the Secrets of Personal Snapshots and Family Albums
(1st edition: 1993), Vancouver:
PhotoTherapy Centre Press [ISBN: 0-9685619-0-X]. (To
download a 777KB pdf copy of the First Chapter of this
book (pp. 1-12), click here)
•
NOTE: This book has been plagiarized!
(click here
for details)
Weiser, J. (1988). "See what I mean?" Photography
as nonverbal communication in cross-cultural Psychology.
In: F. Poyatos (Ed.), Cross-cultural perspectives
in nonverbal communication (pp. 245-290). Toronto:
Hogrefe. (To download a 2.66MB pdf
copy of this chapter, click here)
Weiser, J. (1984). PhotoTherapy: Becoming visually literate
about oneself. In: A.D. Walker, R.A. Braden, & L.H.
Dunker (Eds.), Visual literacy: Enhancing human potential
(pp. 392-406). Virginia Polytechnic State University Press.
(To download a 782KB pdf copy of the
original that this article was reprinted from, click here)
Weiser, J. (1983a). Using photographs in therapy with
people who are 'different'. In: D.A. Krauss & J.L.
Fryrear (Eds.), Phototherapy in mental health
(pp. 174-199). Springfield, IL: Charles C. Thomas. (To
download a 1.41MB pdf copy of this chapter, click here).
Weiser, J. (1983b). Using PhotoTherapy to help: A study
of Debbie. "Montage": Kodak's Educator's
Newsletter, 83:1, 4-5. (To download
a 216K pdf copy of this article, click here)
Weiser, J. (1975). PhotoTherapy: Photography as a verb.
The B.C. Photographer, 2, 33-36. (To
download a 507KB pdf copy of this article, click here)
For more articles by Weiser (in addition to the above ones about VideoTherapy, click here
White, M. (1969). Extended perception through photography
and suggestion. In: H. Otto & J. Mann (Eds.), Ways
of Growth (pp. 34-48). New York: Viking Press.
White,
M. (1966). Equivalence, the perennial trend. In: N. Lyons
(Ed.), Photographers on photography (pp. 168-175).
Englewood Cliffs, NJ: Prentice-Hall.
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Aperture, 10:3, 116-128.
White, M. (1957). What is meant by 'reading' photographs.
Aperture, 5:2, 48-50.
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Living, November, 115-121.
Williamson, J. (1977). Family, education, and photography.
Ten:8, 14, 19-22.
Willis,
D. (Ed.) (1994). Picturing us: African-American identity
in photography. New York: The New Press.
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Lucida, 1:1, 13-18.
Worth, S., & Adair, J. (1975). Through Navajo
eyes: An exploration in film communication and anthropology.
Bloomington: Indiana University Press.
Zaltman, G. (2003). How customers think: Essential
insights into the mind of the market (What consumers
can't tell you and competitors don't know). Harvard
Business School Press [involves some
of Weiser's Photo-Projective questioning techniques].
Zaltman, G. (1997). Rethinking market research:
Putting people back in. Journal of Marketing
Research, 34(4),
424-437 [involves some of Weiser's
Photo-Projective questioning techniques].
Zaltman, G, & Coulter, R. (1995). Seeing the
voice of the customer: Metaphor-based advertising research.
Journal of Advertising Research 35(4), 35-51
[involves
some of Weiser's Photo-Projective questioning techniques].
Zakia,
R. (1975). Perception and photography.
Englewood Cliffs, NJ: Prentice-Hall.
Ziller, R.C. (1990). Photographing the self: Methods
for observing personal orientations. Newbury Park,
CA: Sage.
Ziller, R.C. (1989). Auto-photography: Observation
from the inside-out. Newbury Park, California;
Sage.
Ziller, Robert C. (1977). The photographic self-concept
of children. Research Relating to Children, Bulletin
39, 63.
Ziller,
R.C., Cowart, J., & Smith, D. (1975). The photograph:
An image of the photographer's information processing.
Human Behavior, 33, 67-91.
Ziller, R.C., Rorer, B., Combs, J., & Lewis, D. (1983).
The psychological niche: The auto-photographic study of
self-environment interaction. In: D.A. Krauss & J.L.
Fryrear (Eds.), PhotoTherapy in mental health
(pp. 95-115). Springfield, IL: Charles C. Thomas.
Ziller, R.C., & Smith, D. (1977). A phenomenological
utilization of photographs. Journal of Phenomenological
Psychology, 7:2, 172-185.
*
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