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• Sites About PhotoTherapy:


• Sites of Therapists combining both PhotoTherapy and Therapeutic Photography in their professional practice:

Inner Essence Photography and Photo Therapy Services is therapist and photographer Lori DeMarre's site -- discussing and illustrating her practice "specializing in creating a safe space for women to be visible in front of the camera and to explore aspects of themselves through the use of Photography and PhotoTherapy to help with their self-knowledge and healing"; also see a related article about her and her work, in "Artist's Spotlight";

Marianne Gontarz York Photography/Phototherapy is the site of social worker, photographer, and gerontologist Marianne Gontarz York, who has long used PhotoTherapy to explore memories and feelings (reminiscence and "life review" work) with older adults. Her photographs capture the spirit of strong elders (older adults) living meaningful lives as well as the strength and joy of intergenerational ties and have been published in a number of professional books and journals in the field of aging.

Visual Voices Unlimited is psychotherapist and fine artist, Lynne Bernay-Roman's site about a curriculum she developed ("Finding Focus Through Photography"), which is a program intended to "nurture kids' natural curiosity, a key to long term learning". This curriculum, along with a Manual sold from the site for implementation purposes, "uses photography, creative problem-solving and teamwork to facilitate enhanced awareness of kids' inner and outer world, while making learning relevant and fun -- this is a program where empowerment and invaluable insight happens";

Fotosynthesis is Finnish Psychologist Lauri Mannermaa's site that addresses only the "Photographer part" of his professional life, but he is also using very exciting and innovative techniques with his therapy clients and will be adding those components also;

Pictures and Stories in Therapy and Counseling is one of the courses explained on this site belonging to Finnish Psychotherapist and Photographer Ulla Halkola. There is also information there about the new Association for PhotoTherapy in Finland, various PhotoTherapy workshops, and much more. (The site is in Finnish, but email correspondence with her can easily be done in English);

Women's Image Awareness Association is psychotherapist and holistic healer Rachelle Ferguson's site for showing how she uses Photography and/or PhotoTherapy to assist women with improving self image directly through being photographed (along with, or apart from, direct counseling), "researching the destructive behaviors and negative consequences that result from low self-esteem";

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• Sites re: PhotoTherapy with youth / teens / children (see also: "Grief/Bereavement" and "Women, including girls"):

PhotoChange is a commercial site, which is usually not permitted to "advertise" on these page -- however it appears to be about "psychotherapy for young people that uses photographs", so although there is no way to determine the validity or quality of the work by this therapist, it is listed here as being possibly worth checking out further. Homepage states, "PhotoChange helps your son or daughter two ways: Pictures help your son or daughter to get "in the door" (re: therapy) more easily. That's because PhotoChange looks like fun. Using photographs in therapy is not new. The earliest use of photographs dates back to the 1850s. Phototherapy looks like traditional art therapy—but it's not. In phototherapy, your son or daughter talks about what the pictures are about, and thus talk about themselves without knowing it";

• Sites About Therapeutic Photography


Sites re: Therapeutic Photography in general (or educational, cross-cultural, self-exploration work, & related intentional applications):

Through a Different Lens -- A Creative Unconventional Approach to Transformation and Healing is Pam Hale Trachta's site about how creative tools such as therapeutic photography, writing and ritual can be used to enhance consciousness, creativity, learning, communication and well-being. An educator and pioneer in the field of therapeutic photography, [Note: publications at that time were under "Pam Weaver"] as well as a photographic writer and artist, Pam has long worked in the fields of personal growth and healing -- and often uses her own experience as a cancer survivor to work with people encountering illness, loss or death. She is also the creator of the "Sand Spirits™ photographic wisdom and divination cards";

Art For Your Sake: Healing Dreamscapes for Therapeutic Recovery is artist Nancy Gershman's site where clients who provide their own photos and archival material for her to scan, can commission her to create custom photo-collages for therapeutic recovery. These "Healing Dreamscapes" re-tell (and represent visually) the influence of particular life events and are informed by not only photos, but also personal remembrances, artwork, and writings. Her site has examples of both commercial photo-collages created to celebrate life events in people's life-stories and transitions, as well as more therapeutic kinds of photo-collages, often done in conjunction with therapists, clergy, hospice workers, and other helping professionals. [Weiser comment: This site really must be seen to fully grasp the imaginative and effective results -- and recognize their potential for deeper therapeutic effects beyond the initial visual impact];

Inner Light Explorations is part of Neith Doffing's two-part site about the "blend of energy awareness and portrait photography that works towards creating images that reflect one's essence and self-awareness"; the other part is Sacred Eye Journeys is about photo-based healing workshops that "utilize the camera to explore one's own inner landscape and create a photographic map of symbols to guide them on their personal journey of self-exploration through photography. [Unsolicited Comment by Weiser: The photographs on this site are truly beautiful];

PhotoVoice: Social Change Through Photography: PhotoVoice blends a grassroots approach to photography and social action by providing cameras to people to amplify their visions and experience, record and reflect their community's strengths and problems, promote dialogue about important issues, and permit them to be catalysts for social action and change in their own communities. Pages on this site also include many exciting individual projects, such as: 1) Multigenerational Linking of Homeless and Marginally Housed African American Women ("young homeless women and elderly discussed photographs they had taken that focused on their current living arrangement and daily life activities; the sharing of photographs revealed many commonalities and established mutual respect, exercised mutual affirmation, and built alliances") -- and 2) Our Lives Through Our Eyes: People with Mental Illness Educating Providers (enabling people living with mental illness to educate mental health service providers about what matters in their lives and encourage community-based support for people living with mental illness") as well as the Picture This (Project) (see listing below);

Share My World -- The Degradation and Removal of the/a Black Male: Through photographs and storytelling, this site by Wayne Dunkley explores the common human experience of alienation. He explains: "I am a black photographer who hung over 400 posters of my face in Toronto and Montreal. I photographed the responses over a four-year period. I share some of my own experiences of racism to stimulate viewers to consider prejudice, "otherness," and hope for change in their own lives". The site also provides an ongoing place "where people can express how racism has shaped their lives, and where visitors can come to new understanding of the existence and effects of racism... and reflect on their own role in the presence of it". The goal of the site is to "challenge people and make them talk [and think, and feel].... Through collaborative storytelling and the process of constructing a new narrative of hope, the site broadens from personal experiences to consider racism as an element of the human condition. Viewers' stories are combined with Dunkley's photographs to create an online community of storytelling. This effectively broadens the ownership of the issue of racism. Dunkley summarizes: "At its core this project is my attempt to make something life-giving from the poison of racism... [to say, and to show, that] sorrow shapes my story, but does not own it...";

Photography as a Healing Art is Photographic Artist and Photo-Journalist Jan Boydol's page for her "Photography as the Route to Creativity" workshops which combine viewing and making photographs with guided creative writing exercises in journaling -- often in conjunction with Joe Englander's "Photo Workshops and Tours" website. (Unsolicited Weiser comment: The photographs on this site are stunning; please have a look!);

Photography as a Healing Practice is a page on Kay Porterfield's site, which is about creative growth and healing in general; this page gives information and links for photo-related aspects;

• Sites re: Therapeutic Photography with women / girls (see also: "Cancer" and "Youth/Teens"):

The Fisher Turk Photo Therapy Method ("Making Peace with Your Body Through the Eye of the Camera") explains and illustrates the "Fisher Turk Method of Photo Therapy", though which Ellen Fisher Turk has long used photography "to open a way for women to change how they see themselves and how they feel about their bodies, by reconciling the difference between who women think they are and who they see in the photographs. The photography allows them to see themselves as art -- thereby using the body, always the object of their shame before, as an tool for healing". Photos are included on the site, with comments from some of the women pictured, many of whom discuss how their photographs have evoked personal compassion;

Photo therapy and Breast Cancer -- A selection of Jo Spence's work is Nina Pope's site about Therapeutic Photography Pioneer Jo Spence (author of the 1986 classic "Putting Myself in the Picture"). Jo Spence used the camera very actively to address issues of class and gender, identity and family, health and bodies, and there is an excellent explanation by Spence about her work, on the page of that site: "No, I can't do that; my consultant wouldn't like it". Earlier sites (which seem to be only intermittently available) shed more light on Spence's process and purpose of doing this pioneering work: Cultural Sniping: The Art of Transgression discusses her work and book of the same title; and collaborative work she did pre-and post-death with Terry Dennett is at: Metamorphosis (1991-1992) -- Do we have the right to determine our own images of ourselves after death -- and Peter Marshall's site Notable Photographers - Jo Spence gives a great overview to the importance of her work and also contains links to a few additional sites with more information about her;

Re-enactment Photo-Therapy is Rosy Martin's site about significant moments/memories from an individual's past that are re-enacted and transformed, literally or metaphorically through being photographic reconstruction; Outrageous Agers is her site about her collaborative photo and video installation with Kay Goodridge, which addresses stereotypes of women and aging and "confronts notions of the unstable ever-changing body, with images and texts that are both defining and defiant";

About-Face: San Francisco-based non-profit group whose focus is promoting positive self-esteem in girls and women of all ages, sizes, races, and backgrounds, through a spirited approach to media education, outreach, and activism -- and thus combating negative and distorted images of women in the media;

A Visual Narrative Concerning Curriculum, Girls, Photography, etc. is Hedy Bach's site about her book by the same name, as well as about her ongoing research into how lives of girls are constructed internally, and how curricula reflect and manipulate this;

Beyond Compare - Women Photographers on Beauty is a commercially-sponsored but very wonderful internationally-touring photography exhibition that was created to "inspire dialogue, move beyond stereotypes, and challenge women to question their definition of beauty and to challenge the notion that a woman's beauty can be compared to a standard set by society. Photos were taken by some of the world's most reputed female photographers, and speak to he uniqueness of each artist's interpretation of beauty". All images were accompanied by an anecdote or quote that explains the photographer's vision; donations were gathered at all exhibitions for the National Eating Disorders information Centre;

Women En Large is about Laurie Toby Edison's "Fine Art Photographs of Beautiful and Powerful Women";

Fighting Back: Photo Phobia is part of the Body Icon: Fear and Loathing the Mirror website, which deals with how women can take steps to reclaim their bodies from the media-promoted biologically-unattainable ideal, this page tells of one woman's journey to reclaim her body, through work done with Ellen Fisher Turk;

• Sites re: Therapeutic Photography with youth / teens / children (see also: "Grief/Bereavement" and "Women, including girls"):

Youth In Focus empowers urban teens, through photography, "to experience their world in new ways and make positive changes in their lives, explore their creative potential, to engage them and help them work through what's going on in their lives";

First Exposures (FX) is a unique mentoring/photographic education program for young people in San Francisco sponsored by SF Camerawork. Students ages 11 - 18 are recruited from local agencies serving young people with backgrounds of homelessness or low-income living situations. Mentors are photographers with a commitment to youth empowerment through education. "Our goal is not only to help develop a creative outlet for our students to express themselves in a safe and supportive environment, but also to encourage them to grow and become articulate, confident, and responsible young adults";

Picture This (Projects) describes a project where a group of Chicago-based volunteer photographers and journalists used the power of photography with youth to teach skills and also encourage their creative expression, self-esteem and bridge the gap between people of different backgrounds;

Through the Eyes of a Child: is a program where a dozen professional photographers become mentors to urban children by sharing their love of photography, with the result that the photographs that emerge are deeply communicative and moving;

The Artist Inside Program: With the motto of "Finding the Inner Artist in Incarcerated Youth", this Program uses photography and other arts to provide these art students the rare opportunity to use cameras and other art media without the usual artistic "rules", and thus achieve a unique opportunity for self-expression that helps them regain a sense of pride and increase their self-esteem. The Photography Program has proven to be therapeutic and transformative, opening doors for self-representation, discussion, and story telling in a way that helps the youth gain a feeling of connection, contribution and communication that is a necessary part of being human.

The Five Faces of Kern is a site describing what happens when a group of "at risk" teenagers (students with "special needs") were given one-time-use cameras to create a group of pictures to reveal an important part of their world: "What does the world look like to an "at risk" teenager? Instead of just wondering, the Arts Council of Kern County, California decided to find out. The scheme was simple: Distribute one-time-use cameras to students with "special needs" in the county's five school districts. Teach them the basics of photography. And challenge each student to create a group of pictures that reveal an important part of his or her world. All participants' work would be included in a group show, and the top five would win prizes";

"Trans-active" is a national Project in the U.K. (supported by MENCAP -- the leading charity there working with children and adults with a learning disability, their parents, and their carers) that is currently in use by over 100 schools, colleges and other organizations who support young people with and without disabilities in transition and making choices about their future lives. They do this through accessing and using photography, multi-media and the internet, to produce multimedia online "passports" for themselves, which enables them take an active part in decision-making meetings that affect their lives -- and their futures. In the Trans-active Project, young people with and without disability work together, giving them opportunities to learn to work together and explore their similarities as well as differences -- and in the process, making friends and having fun! Using their passport as a reminder and a communication bridge, they can easily show people what is important to them now and in the future, and can greatly assist the transition process. "Effective transition means that young people with PMLD (profound and multiple learning disabilities) are fully involved throughout transition planning and that consideration is given to actively accessing mainstream services as well as specialist services". Additionally, young people with severe learning disabilities and their non-disabled peers, are involved in developing an interactive website for young people with a learning disability;

The Picture ME Foundation is an organization dedicated to helping children with disabilities and serious illnesses through the use of photography and therapeutic scrapbooking. It shows clear evidence of the power of photography to communicate about things words can't, and as extensions and witnesses of self. Their Picture ME "Therapeutic Scrapbook Program" is a combination of "therapeutic photography" and "therapeutic scrapbooking"; there is also a program called "Special Kids Photography" which trains photographers to be more sensitive and alert to the needs of disabled or seriously ill children;

White Self, Black Self shows how children's drawing and writing on self-created photographs can be used to explore how society, through its children, looks at issues of race, and for children to share with one another what it means to be black or white -- illustrating how "it is crucial to understand how we see one another";

Literacy Through Photography is "a school-based community program that encourages students to find their voice through photographs and subsequent written investigation of self, community, family, and dreams, using photography as a medium of communication". Developed by photographer and teacher Wendy Ewald, it teaches students self-expression through creative writing and photography" -- and training for teachers is also part of the program. (More about Ewald, on the "Who's Doing What, Where" page of this site and also in a summary article connected to it;

FotoKids "The Children in Conflict" Program uses photos taken by adolescents to develop certain key issue for youth living in communities affected by violence, and thus promote youth leadership in populations affected by social exclusion and armed conflict. Breaking the cycle of poverty through training in visual arts and technology is offered to students living in difficult economic circumstances in rural and urban communities of Guatemala and Honduras. "Placing cameras in the hands of these children is a very powerful experience. It allows them to claim their world in a new way and express themselves more fully. There is a huge correlation between learning a creative art and becoming excited about learning in general. Photography then opens the doors for many of these kids to a much larger sense of self and their potential in the world" (more about this in an article about this project in the April Newsletter of the "ArtHeals" organization;

Inside-Out Street Youth Photography Project describes what happens when street youth in Nepal document the difficult circumstances of their lives by taking photographs to show their lives as they saw them, not as others may interpret them. What they photographed was completely up to them, taking photos that best represented aspects of their life, the highs and the lows, and they themselves got to choose which photographs they wanted to have exhibited and which they didn't. "Through this photography project, they found a voice, a sense of worth while discovering that people were genuinely concerned and were listening to their plight";

AJA Project International empowers refugee and underprivileged youth through educational programs and to help them create better opportunities for their future as they develop valuable vocational, technical, and photography skills. "Cameras and training were provided to elementary school children to not only encourage reflection on their tumultuous lives but also to feel like protagonists rather than victims";

WarChild's "Visual Impact Project" is a world-wide project which encourages children caught up in war to tell their story through photographs they take themselves. Single use cameras are distributed to young people who are encouraged to take photos of the places and people that are important to them and to portray to other children, the story of their own lives (by describing their family and friends, things they like and their hopes and dreams). "The films are developed and the prints returned to the children so that they can select their favorite images. These are exhibited locally before being returned to the children. Workshops are also given on the basics of photography. This empowers the children to raise awareness of the conditions in which they live, while also learning about children in other countries through their photos;

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• Sites re: Therapeutic Photography with cancer, HIV/AIDS, & other life-threatening illnesses or traumas; depression, and other issues:

"I want to get it off my chest!" -- Photographic Installation and Virtual Exhibit is the site of photo-based artist Francine Gagnon powerful photographs and inspiring testimonials about people's experiences with cancer. Originally just about breast cancer (in both men and women), the site now addresses all cancers. Not only is her own work there, but all viewers are invited to themselves participate in this cathartic process by submitting their own stories and/or images; a web-page is then created for each participant's contribution and thus directly connects with one of the main goals for Therapeutic Photography --using the camera as an "activist's tool" to promote healing, education, and understanding;

Vision and Voice Project: Lesbian, Bisexual, and Transgendered Folks Journey Through the Fire describes a project illustrating how photographs can give a tangible voice to personal narratives of cancer that are often silenced or marginalized. Photographer and PhotoTherapist Lori DeMarre assists cancer survivors tell their own visual story, through co-creating photographic representations of their own personal journey. Those photographed begin to see themselves in new ways; once complete, their photographic voice joins others in an exhibition to be shared with the larger community, providing education and supporting the cancer support services of the Seattle Lesbian Cancer Project;

The Children's Legacy is Katy Tartakoff's site about her work using photography to help children suffering from cancer or burns, and their families -- both in hospital and at summer camps. There is also a link there about her photo-activist work with HIV-positive women and children in Africa, which resulted in a book "Final Breath: A Love Poem" (see below) [also note: if trouble is encountered with site-link, contact her directly];

Final Breath: A Love Poem is a page on the "Virtual Voices" website describing a recent project sponsored by Katy Tartakoff's "The Children's Legacy" (see above) -- where black and white photographs of African children from orphanages and villages from Nairobi to Maasai Mara, Kenya, who were suffering from HIV (and little hope), were combined with poems and messages into a book, whose entire proceeds go to help these children. Additionally, copies of these photos were given to the children's families and to bring attention to tribal chiefs and local leaders to the magnitude of the problem of HIV/AIDS in their communities;

Phototherapy -- Dealing with a childhood trauma is a visual essay produced for a Master's Degree in Photography, using the camera to construct the person's response to his father's death and gain a better understanding of deeply rooted trauma, as reconstructed through memory;

In My Skin: A Visual/Photographic Autobiography is Photographer Jennifer Loshaw's MFA Thesis exhibition, done as a response to the damage her body (and spirit) has suffered from being burned as an infant, and "the subsequent feelings and search for self-identity", while exploring also the larger concept of physical beauty "which we create, believing it will identify us" -- and the common thread of human existence created by the search for it. The work incorporates both medical images and newly-created photographs, sequenced as a story-line that depicts the experience and stressing inner strength and struggle;

A Long Walk Home: A Story of a Rape Survivor is the main program of an organization that uses social documentary and art to capture the reality of violence and trauma. It documents the journey from sexual assault victim to sexual assault survivor by means of a multimedia performance that features poetry, music, photography, West African dance and modern dance to help educate people about sexual trauma and healing. "Utilizing the creative process of making art as itself healing and life-enhancing, the goals include also helping survivors increase self-awareness, cope with traumatic experiences, and enjoy the life-affirming pleasures of artistic creativity;

Depression: A Visual Journal of Healing & Transformation is a traveling exhibit about using photographs and journals on a personal journey with depression, created by two artists who have "been there" -- and who have collaborated to create photographs and poems that offer hope and honors both the pain and the transforming possibility of depression. Each of the fourteen dramatic, large-scale black-and-white photographs (depicting a symbolic journey through depression) is accompanied by a short, experience-based poem that speaks to a specific aspect of depression: medication, the mind-body-spirit connection, isolation, hope, the need for balance, healing, and more. The exhibit includes educational facts about depression and resources people can call for help with mental health concerns.

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Related Sites:


Photographic Cultural Studies or Photo-based Research, Visual Sociology/Anthropology, and others (and some not intentionally for therapeutic purposes, but still worth mentioning!):

Literacy Through Photography, encourages students to find their voice through photographs and written text, using photography as a medium of communication in classroom settings to catalyze subsequent written investigation of self, community, family, and dreams; training for teachers is part of the program;

Photography: Access to Sight is about a legally-blind man, who "photographs to see" (while most people see to photograph!). The site explains and illustrates the photographs he takes so that he can see the world around him;

Fear for Sale: An example of the amazing photographic explorations of David Hevey's ongoing journey to "blow the lid off the disability charity advertising business"; for further readings see Media and Disability;

Image and Identity Research Collective is Professors Claudia Mitchell & Sandra Weber's sit for research (and collaborating and networking) about how visual, and especially photographic, imagery shapes lives; particularly recommended are the pages for two of that site's individual "Collaborators": Jo Visser -- Image and Identity in Self-Study and Susan Allnutt Learning the Body Voice -- Body Memorywork with Women;

Creative Memories is one of many sites about the hobby of "Scrapbooking"; however some of their ideas and downloadable articles can also be useful in therapeutic settings; for example Mizen's "Scrapbook photo albums are therapeutic for Alzheimer's patients". This organization describes itself as helping people "Preserve the past, enrich the present, and inspire hope for the future through preserving their photographs in albums they create";

Collected Visions contains over 200 photo essays exploring how photographs shape our memories; includes stories and photographs (and essays inspired by over 2,000 images in family snapshots archive);

Testing the Human Spirit shows a beautiful six-year photographic journey of "an ordinary family living with the extraordinary challenges of AIDS" -- included here because of the effects of being photographed and the uses of the photos beyond just documentation;

The Century Project shows "a chronological series of nude photographic portraits of women from the moment of birth through one hundred years of age, yet this is much more than a mere developmental chronicle";

Other People's Pictures is a documentary film about "Vintage Snapshot Collecting" -- people who buy other people's family photographs. "Nine obsessive collectors share an unlikely addiction: snapshots that have been abandoned or lost by their original owners and are now for sale". Learn what they look for, and why.

The International Visual Literacy Association: Association of educators, artists, and researchers dedicated to the principles of visual literacy, for the purpose of providing education, instruction and training in modes of visual communication and the application of the concepts of visual literacy to individuals, groups, organizations, and to the public in general;

The International Visual Sociology Association: The visual study of society, culture, and social relationships, and uses of visual images, to foster the development and use of still photographs, film, video, and electronically transmitted images in sociology and other social sciences and related disciplines and applications;

Children as Photographers describes a research project where children took photographs and then an attempt was made by outside ("external") observers to analyze four topics: What do children take photographs of?; What do children like/dislike about photographs?; Why do children take photographs?; and What do children intend to do with the photographs that they take? This kind of research of course brings up all kinds of questions about efficacy and whether "outsider-interpretation" is actually even possible [Weiser comment: this is an example of research attempted by those who think such things are actually measurable, which is itself debatable!];

Miscellaneous general-public "photo-based activities" which are spontaneously therapeutic, even if not originally intended for that purpose:

"Tribute to American Spirit" PhotoQuilt is a non-commercial site that Kodak set up to provide a place where anyone of any age could share personal snapshots (and accompanying words) in response to the events of 9/11; although death and grief and mourning are all present on this giant "patchwork quilt" in cyberspace, the overall feeling communicated by not just viewing these photos, but also the actively healing act of sharing them, is that of sympathy, support, courage, and hope for the future;

Ground Zero (Photo)Quilt is a 90-inch square quilt made by Lois Jarvis, conceived of in the days following the events of 9/11. The center of the quilt was composed of photographs (printed on fabric) of over 700 images of people who perished at the site of the World Trade Center she downloaded from the CNN site starting just a few days after the event. Originally stating that she did not know at first why she felt so strongly that she should make it, she shares, "now that it is done I am finding the answer to why I felt such a strong urge to make it: I made it to be viewed by other people, and to somehow touch them. I hope it will remind everyone that the loss of the buildings and their material content was not the important event that day [but rather] the people who all perished that day, who are the important things to remember";

 

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